Film, Stage, TV and Radio Director

Note: Completion of a TAFE SA course does not guarantee an employment outcome. Formal requirements other than educational qualifications (eg licensing, professional registration), may apply to some occupations.

Job Prospects
Competitive but offer strong growth
Salary
N/A
Source
Directors (Film, Television, Radio or Stage) | Jobs and Skills Australia
Brief
Employed: 2400
Part time share: 29%
Median age: 40

TAFE SA courses that may be relevant for: Film, Stage, TV and Radio Director

Accredited (Award)

  • Interpret scripts and direct cast and crew during the filming, recording or staging of productions.

    You study scripts and scenarios to determine themes, settings and stylistic approaches, and assess locations and staging requirements in consultation with specialist designers. You oversee the creative aspects of film, television, radio and stage productions, guiding performers, coordinating technical teams and ensuring that artistic and production objectives are achieved. Your work shapes the overall vision, tone and execution of a production from planning through to final performance or broadcast.

    For further information:
    Media, Entertainment and Arts Alliance (SA/NT)
    Ph: 1300 656 513
    Email: members@meaa.org
    Website: www.meaa.org

    Mercury CX
    Ph: (08) 8410 0979
    Email: hello@mercurycx.org
    Website: www.mercurycx.org.au

    South Australian Film Corporation (SAFC)
    Phone: +61 8 8394 2000
    Email: reception@safilm.com.au
    Website: www.safilm.com.au

    State Theatre Company South Australia
    Ph: (08) 8415 5333
    Email: info@statetheatrecompany.com.au
    Website: www.statetheatrecompany.com.au

  • TAFE SA offers a packaged program in Film and Television Production, which includes both a Diploma and an Advanced Diploma of Screen and Media, specialising in Film and Television Production.

  • Jobs in this industry is highly competitive. Interstate and/or overseas experience is often needed to enhance employment prospects. Completion of a course will not guarantee entry to this occupation. Advancement in this occupation is greatly dependent on exposure, experience and talent.

  • Directors creatively interpret the author's work with their audience in mind. They must also implement the vision of producers and in the case of large budget productions, align their viewpoint with that of sponsors and investors.

    Before a production is filmed or staged, directors undertake auditions to select actors for parts. They also select set designers to create and design the perfect setting (eg. minimalist or period setting) and technical staff such as the camera, lighting and sound technicians. The director must be confident that these people can make his or her production come to life and complement his directing style. Another early job is to decide where the production is to be filmed, staged or recorded. Throughout a production, a director has control over acting as well as filming. Filming may be stopped for example, so that the director can coach an actor who is not delivering their lines 'correctly'. Post filming, directors work with the editor to select the best cuts/scenes and choose the sound effects and music to accompany the production.

  • Film, stage, radio and television directors direct the overall production, or specific aspects of production, of films, television, radio or stage shows. They have the final responsibility for making sure that everything is ready to be filmed or performed. It is essential that they have a keen artistic sense. They need to show good communication skills in dealing with actors, production crew and the media. With a very volatile working environment, they need to be able to remain calm under pressure when production issues come up. They also must be able to motivate their actors, inspire the crew and exercise authority in making decisions with regards to the production.

    Directors/Producers work indoors, in studios and outdoors on location. Extensive travel could be involved either in finding work, or to film/direct in distant places. Because of the level of responsibility involved, it can be a stressful job. They work long and irregular hours including weekends to meet the production requirements.

  • There's no doubt that great story telling skills and a lively imagination are necessary prerequisites for this profession. For example, have you got the vision to create a futuristic space saga without it being a clone of Star Wars? And gone are the days of the old Hollywood despot who screamed at all and sundry. Directors need to be good, strong leaders who inspire their artistic and technical team. Highly articulate and organised, they are the lynchpin in every artistic production. Many years' experience and an established reputation are essential before your skills are recognised in this industry.